Phronesis: Walking Dark

Phronesis (trio)

Walking Dark (Editions Records; 2012)

Jasper Hoiby (bass)

Anton Eger (drums)

Ivo Neame (piano)

The blistering rise of Phronesis over the last few years is astounding and well justified. The trio along with the Neil Cowley Trio and Kit Downes Trio have been one of leading lights of the modern British jazz scene. Their counterparts Polar Bear, Get The Blessing and Led Bib take a more avant garde approach but Phronesis have set out in more contemporary fashion and developed into a tight knit outfit that delivers a solid statement each time out.

Their latest, Walking Dark stands as another important piece in the work of a trio that is ready for the next level recognition. "Democracy" spells it out for this dynamic trio. Neame's playing is nimble, playful and wrapped in crisp precision. Hoiby's bass fills the room with a warm resonance that holds the listen tight to attention. The drums are soft and Eger compliments his bandmates supreme agility. "Charm Defensive" is an introspective piece that is calm and revolves around the subtle notes of Neame and bold hues brilliantly executed by Hoiby.

"The Economist" is slightly more uptempo with some propulsive beats and rhythms constructed by Neame and Eger. The pace is strong with intense velocity. The pieces change pace and timing quickly but it's never jarring. There are complicated notes throughout "The Economist" but Hoiby and his mates project a flexibility to the number that you glide perfectly through it. "Eight Hours", which originally appeared on the live album, Alive, solemnly closes the album with joyful melancholia that has a lovely breath and depth that feel more in the studio than from it's predecessor.

Walking Dark is again another step in the right direction for Phronesis. They have already separated themselves from the pact; but hopefully this is the record that capitalizes on what many of us already know. Phronesis are a one of best bands in England. And deserves your undivided attention.

Outhouse: Straw, Sticks + Bricks

Outhouse (quartet)

Straws, Sticks + Bricks (Loop/Babel Music; 2011)

Robin Fincker (sax, clarinet)

Tom Challenger (sax)

Johnny Brierley (bass)

Dave Smith (drums)

Hilmar Jensson (guitar)

On their third outing, Outhouse seem to be completely focused and created a solid and highly auspicious album with Straw, Sticks + Bricks. It's big, loud, scratchy and sometimes brooding. But at it's center, Outhouse have made another statement as to why they are becoming one of the most exciting British bands on the scene.

At times you might think Outhouse were actually part of the Chicago scene. The set of horns, bass and drums provides a unique, bold and cacophonous quality that is sometimes associated with the aforementioned scene. But once you get into the heart of pieces like the opener, "Kitchen In The Middle" you realize this quartet have different intent altogether. I got the feeling I should be reading a creepy version of Jack and the Beanstalk. The succinct one beat of the drum kit and sax helped me tap out "fe fi fo fom." Pretty funny for me. You may not notice this. The addition of Hilmar Jensson on guitar pulls out a grit that was always there on previous Outhouse's records but is more crystallized on Straws, Sticks + Bricks.

"Fool" builds slowly and compounds a number of tones and rhythms. Finker and Challenger worked brilliantly off each other while Brierley and Smith add perfect time and pace. Jensson's guitar cuts across the patterns at just the acute time. "Fool" works it way to a quiet conclusion in its last two minutes. Steady and unwavering. A number of disjointed and aggressive emotions balance neatly like Kurt Rosenwinkel mixing it up with John Zorn and Ken Vandermark. Great work.

"Alignment," more of a ballad, opens with a gentle but steady beat from Smith before the rest of the group join in to provide a calm hypnotic aesthetic. The vibe was reminiscent of Aram Shelton's recent work. This is exploratory and emotional with deep revolving effects. "Long Notes" led by Smith's rolling patterns, some soft plucking from Brierley and some intersecting notes from the rest of the group create an intense, expressionist closing number but still manages to leave the listener hypnotized by Outhouse's ability to craft some really evocative notes.

Unlike a number of their compatriots, Outhouse don't tend to go for the thundering beat. They are an investigative quartet that seems to be searching for next process in the rhythm. This is a journey we at JazzWrap are always willing to go on. The British scene is definitely rising. And with Straw, Sticks + Bricks, Outhouse are continuing to stay right up there with Acoustic Ladyland/Polar Bear, Neil Cowley, et al. Brilliant stuff.

JazzWrap Best Albums Of 2010 Recap

It was a fantastic year for music. Here's a recap of JazzWrap's Best Albums Of 2010.

Mary Halvorson
Mikrokolektyw
One For All
Soweto Kinch
Soil & Pimp Sessions
Jason Moran
The Vandermark 5
Polar Bear
Bobby Avey
Dave Stapleton

There were a couple of albums I didn't get a chance to write about in our Best Of 2010 list. More because I was ill for a few days and couldn't put brain to computer to get the words out. These are by no means "honorable mentions". These are fantastic and in some cases (Jason Adasiewicz, Curtis Fuller, Kris Davis and Ricardo Gallo) phenomenal records that are worth every moment hunting down.

Ricardo Gallo Resistencias (Laidstrito Fonica)
Kris Davis Good Citzen (Fresh Sounds/New Talent)
Brian Eno Small Craft On A Milk Sea (Warp Records)
Curtis Fuller I Will Tell Her (Capri Records)
Tom Rainey Pool School (Clean Feed Records)
Keefe Jackson Seeing You See (Clean Feed Records)
Magnus Broo Swedish Wood (Moserobie Music)
Jason Adasiewicz Sun Rooms (Delmark)

I discovered a lot of new music this year. This was in part to some great friends, musicians, record labels and other blog writers. I especially wanted to mention my two favourite blogs Minimalistic Music and Jazznyt. Both are a little more avant garde than JazzWrap and provide a different perspective on the global community.

In addition, contributing editor, Kristopher Spencer has the insansely insightful site Scorebaby that discusses soundtrack music from every part of the globe as well as a great book on soundtracks that he wrote a year ago which you must own. I highly recommend you check them all out.

We have enjoyed working with and hearing from everyone and we hope to continue with some great new material in 2011. I hope you dig the music and have discovered some cool stuff. For us its all about turning people on to music that's both accessible and adventurous. As always we want to hear from you as well. So if you have a record you feel would be a great fit for us to know about please let us know.

And we are looking forward to another solid year of adventure in 2011.

Video: Tom Rainey Trio (Tom Rainey, Mary Halvorson and Ingrid Laubrock)From all of us at JazzWrap, thank you.

King Capisce: A New UK Avant Garde

King Capisce (group; formed 2008)
King Capisce (KC Records)

Tim Feben (guitar)
Richard Harrison (sax)
Alex Baker (sax)
Roshan Lal (bass)
Tom Ashfield (drums)

The self titled debut from this Sheffield quintet King Capisce a refreshing reminder that the UK jazz scene is has many influences and allot to offer. Unsigned King Capisce have been on the UK touring circuit for only short time but have built up a decent following and their debut shows great strength in depth and vision.

This is a harder edge mixture of prog, psychedelia and free jazz. While current favourites, Polar Bear, Acoustic Ladyland and Troyka may come to mind, King Capisce are definitely making a case and carving out a space that might well be all their own in the future.

The album begins with the frightening beauty of "Cheer Up Cyclops" which start with Roshan Lal's funky bass line and then blast head first into an exchange of potent ideas both gentle and frenetic. "Cheer Up Cyclops" almost sums up the album in seven minutes (but wait there's more)--a bright piece of psychedelia and free jazz. It got me thinking, what if Ornette Coleman joined King Crimson on stage for one night? (Actually that could still happen.)

The battle of duelling saxophones and the blistering guitar work makes for some heavy listening at times but I think everyone with a sense of rock and jazz will enjoy King Capisce for different reasons. That battle continues on "The Sharp Edge", a mountain of a piece that delivers some complex melodies within changing environment. "The Sharp Edge' moves quickly from gently structure chords to funk patterns to improvised chaos.

"Between Teeth" gives this session a blues-rock injection with some wonderfully shifting work by Tim Feben on guitar. "Between Teeth" builds to high climax as the rest of the quintet join in a Philip Glass-esque arpeggio. "Boundless" closes things out with a mid-tempo delivery but just the right amount delicate aggression to remind the listener why this debut is so impressive.

A solid premiere for the Sheffield quintet that sparkles with ideas and strong musicianship. King Capisce is a band worth watching over the next couple of years. This is definitely the shape of jazz to come and let's hope they become talked about in the circles as the aforementioned UK outfits sooner rather later. Highly Recommended.

Guitar Week: Troyka

This week JazzWrap will take a look at guitarists and guitar driven groups that have or will be making a difference in jazz.

Troyka (group, formed 2007)
Chris Montague (guitars)
Kit Downes (organ)
Joshua Blackmore (drums)

London based, Troyka have been making waves in the British jazz scene for the last three years. There self titled debut does deliver on the hype. This is a trio that is slightly different than many of recent crop in that their songs led by some crazy guitar work from Chris Montague. They also incorporate some lovely, psychedelic and funky organ interplay by Kit Downes (who is also making a name for himself as a solo artists). Joshua Blackmore's gritty and fernetic drumming keeps his fellow bandmates in line as they travel a familiar fusion path but create their own signpost along the way.

Upon first listen, especially the opening two tracks, "Tax Return" and "Clint" you might get the impression Troyka are heavily influenced by King Crimson. This would be very misleading. The trio have shades of prog, jazz and funky flirting throughout this recording. All of it results in bouillabaisse of rhythms that is hard to ignore. While they site Wayne Shorter, Aphex Twin, and Rage Against The Machine as influences, its hard not to notice the dedication to blues/world structures as on "Twelve" or "Noonian Soong" that are reminiscent of Mahavishnu. The aforementioned modern influences are there especially in the swirling organ work of Downes which fills this journey with some interesting aural/audio soundscapes. For fans of the Chicago band Tortoise, Troyka should definitely be an investment for you.

Troyka's closing moments encapsulate the band, with a nice piece of avant-funk entitled "Call" that certainly brings to mind the great Crimson circa Red, but breathes a life of its own with delirious watersheds of interplay between the three members. This is capitalized with the final but short number "Zeitgeist" which is indicative of band and the British jazz scene at the moment.

Troyka have made an album that is interesting on multiple levels and will appeal to jazz and alternative heads alike. It's funky, futuristic and layered with elements of avant garde that won't alienate any group of listeners. This is a brilliant and promising debut. Along with Polar Bear, Acoustic Ladyland, Portico Quartet, Outside and Neil Cowley Trio, the new British free jazz scene might start giving Norway, Finland and Sweden a serious challenge in the creative circles for leading jazz movement of the next few years. Great stuff and highly recommended.

The Thing: Swedish Rampage

The Thing (group; fromed 2000)
Bag It! (Smalltown Superjazz)

White Noise with style and beauty. That's probably the best way to describe it.

The Thing are a power trio from Sweden, who along with Acoustic Ladyland, Supersilent, Atomic and Polar Bear have been pushing the sound barrier of jazz for a decade now. Led by the creative mastermind of saxophonist Mats Gustaffson, Paal Nilssen-Love (drums), & Ingebrigt Haker-Flaten (bass), The Thing is a consistent and reliable source for a challenging good time on every outing.

The Thing's new album (8th in total), Bag It! was produced appropriately by legendary noise maker, Steve Albini (founder of alternative band Big Black) whose production credits include The Pixies, Wedding Present and more. The album features covers of Duke Ellington "Mystery Song" and a rapturous version of Albert Ayler's "Angels" as well as their own "Hot Doug" to name a few.

The Thing do a masterful job of melding the avant garde and punk ethos together with fantastic results. While most European jazz recently has been based on the Miles Davis fusion era, The Thing has used prog-rock (King Crimson, Can, etc.) and jazz (Albert Ayler, Don Cherry, Ornette Coleman, etc.) as their launching pad to explore new ideas that would probably make Miles and Coltrane extremely proud. The Thing isn't for everyone but if you like your music loud, improvised and in your face, then The Thing's Bag It! is the perfect starting point for self destruction (or self evaluation).