Arguably the most important figure of the avant garde movement, Ornette Coleman is both revered and reviled for what he did to push jazz forward in the 60s. He developed a theory of playing he called "Harmolodics" which I still only barely understand. Ornette Coleman experimented with varying modal structures along with Paul Bley, Don Cherry, Charlie Haden and Dewey Redman, among others, years before even John Coltrane would branch into his experiments with Eastern rhythms.
Coleman would make a string of highly influential recordings in the '60s that represent the benchmark of avant garde jazz for current artists such Ken Vandermark, Branford Marsalis and even trumpeter Roy Campbell.
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If you enjoy any of these I would also recommend the following as a next purchase.
Live At The Hillcrest Club (Gambit)
Free Jazz (Atlantic)
Live In Paris 1971(Jazz Row)
Science Fiction (Columbia)
Colors (Verve)
Sound Grammar (Sound Grammar)
For those looking for just the snapshot you might want look out for a compilation called Introducing to Ornette Coleman (Rhino). It only covers the Atlantic years but it does a good job of what the titles says.
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